Culture and Customs of HaitiBloomsbury Academic, 2001 - 161 pages Culture and Customs of Haiti begins with an overview of the mountainous island that seemed forbidding to European colonizers. Historical periods, including French colonization, U.S. occupation in the early 20th century, Independence and the Duvaliers' reigns, until today, are reviewed and provide the framework for the volume. A chapter on the people and society details the pride of the black state that managed the only successful slave revolution in history. The extremes of society from the elite to the peasantry and slum dwellers are depicted, along with Haitians in diaspora. Religion in Haiti, with the strong amalgamation of Roman Catholicism and vaudou, a West African import, is then explained. A Social Customs chapter notes the joy that is found in such an economically depressed culture. The media and literature and language chapters necessarily unfold in the context of Haiti's political history. A section on writing in Creole is especially intriguing. Finally, chapters on the performing arts and visual arts evoke the energy and color of the people in such forms as vaudou jazz and dance, contemporary rara rock, and the folkloric influence on Haitian painting. A chronology and glossary supplement the text. |
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Page 71
... drumming , which is the linchpin of the vaudou cer- emony . There are theatrical aspects to the drumming and ... drum is called the manman , the middle one the segond , and the smallest one the bula . They are all held and beaten ...
... drumming , which is the linchpin of the vaudou cer- emony . There are theatrical aspects to the drumming and ... drum is called the manman , the middle one the segond , and the smallest one the bula . They are all held and beaten ...
Page 122
... drumming , and the drum is considered a sacred object that can bring on possession through its rhythmic insistence . The drummers are never possessed but control the ceremony , fusing the worshipers into a single rhythmic whole . An ...
... drumming , and the drum is considered a sacred object that can bring on possession through its rhythmic insistence . The drummers are never possessed but control the ceremony , fusing the worshipers into a single rhythmic whole . An ...
Page 124
... drums . The shoulders and the hips are more active than the feet in these dances . Occasionally , at the signal given by the drum , there is a break or an off - beat in the rhythm , and an individual dancer can break from the general ...
... drums . The shoulders and the hips are more active than the feet in these dances . Occasionally , at the signal given by the drum , there is a break or an off - beat in the rhythm , and an individual dancer can break from the general ...
Table des matières
Context | 1 |
The People and Society | 2 |
Religion | 51 |
Droits d'auteur | |
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