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Addison Alanio alten Apostroph Archiv f. n. Sprachen Augen Ausdruck Bedeutung beiden bekannt besonders bien Buch Bühne Cäsar Cato deutschen deutschen Sprache Diana Dichter Dichtungen Diphthongen dois dramatischen drei Dryden engl England englischen Erdgeist ersten fait Falstaff Faust Faustsage Felicia Hemans finden folgenden français französischen französischen Sprache Freiligraths Freund ganze Gedichte Geist Geschichte giebt Gott Gottsched Grammatik Grimm grossen Grund Hand Heinrich Heinrich IV Herausgeber Herr Herz höchst Ismenia Jahre jetzt Johannes Faust John Anderson König könnte kurz lassen lässt lateinischen Leben Lehrer Leipzig letzten lich Liebe Lied Litteratur macht mais Mephistopheles Meusebach Molière mult muss Muttersprache Namen neuen Obertöne Oranna Paris Partialtöne recht Richard Roman sagt Scene scheint schen Schüler Seele Shakespeare Shakespeare's soll Stelle Stück Theil Theophilus Thränen tout trop Ueber Uebersetzung unserer Unterricht Vater Verf Verfasser Verse viel Vokale Völker voll Weise wenig Werk wieder wohl Wort zwei zweiten
Fréquemment cités
Page 14 - A WET sheet and a flowing sea, A wind that follows fast And fills the white and rustling sail And bends the gallant mast, And bends the gallant mast, my boys, While, like the eagle free, Away the good ship flies, and leaves Old England on the lee. " Oh for a soft and gentle wind...
Page 38 - The stars shall fade away, the sun himself Grow dim with age, and Nature sink in years, But thou shalt flourish in immortal youth, Unhurt amidst the war of elements, The wreck of matter, and the crush of worlds.
Page 28 - The drift of the ensuing discourse was chiefly to vindicate the honour of our English writers from the censure of those who unjustly prefer the French before them.
Page 289 - Now entertain conjecture of a time, When creeping murmur, and the poring dark, Fills the wide vessel of the universe. From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the...
Page 14 - I heard a fair one cry ; But give to me the snoring breeze, And white waves heaving high ; And white waves heaving high, my boys, The good ship tight and free — The world of waters is our home, And merry men are we. There's tempest in yon horned moon, And lightning in yon cloud ; And hark the music, mariners ! The wind is piping loud ; The wind is piping loud, my boys, The lightning flashing free— While the hollow oak our palace is, Our heritage the sea.
Page 38 - Tis not in mortals to command success, But we'll do more, Sempronius; we'll deserve it.
Page 26 - DRYDEN may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled, and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
Page 39 - Tis this that shakes our country with alarms, And gives up Rome a prey to Roman arms, Produces fraud, and cruelty, and strife, And robs the guilty world of Cato's life.
Page 26 - I deny not but blank verse may be also used, and content myself only to assert that in serious plays where the subject and characters are great, and the plot unmixed with mirth, which might allay or divert these concernments which are produced, rhyme is there as natural and more effectual than blank verse.
Page 23 - The rules a nation, born to serve, obeys; And Boileau still in right of Horace sways.